odk.design
The four AESTUS vases against a white wall, the tallest holding willow branches

odk.design

Stratified wooden vases, carved by an industrial robot from hundreds of layers of beech.

AESTUS in production, 2018

Watch the full film on Vimeo

AESTUS

A series of four stratified wooden vases. An industrial robot carves each one from hundreds of layers of beech, and the grooves it leaves behind hold the fluid movement of the machine in the depth of the wood.

The series brings a traditional material together with a contemporary way of making. Grain, colour and texture vary with the wood, so no two vases look the same. They stand on their own or together as a group.

Body
Laminated beech plywood
Lip
Brushed stainless steel inset that holds the water
Base
Setback platform on a ring of felt
Finish
Natural wax
Designed
2018, by Oliver David Krieg
  • AESTUS L
    L
  • AESTUS M
    M
  • AESTUS S
    S
  • AESTUS XS
    XS
The four sizes, shown to scale.
AESTUS sizes
SizeHeight × widthWeight
L110 × 25 cm23 kg
M80 × 19 cm10 kg
S46 × 15 cm4 kg
XS32 × 11 cm2 kg

Process

AESTUS is produced with the carpentry Georg Ackermann GmbH. The design data transfers directly into production, so one digital model carries each vase from the first shape to the finished piece.

  1. A laptop showing the parametric model of the vases, with finished vases behind it

    Design

    Each shape is developed in parametric design software, together with simulation tools written for the project to study how the milling tool meets the material. The same model generates the robot's toolpaths.

  2. Close-up of a carved vase showing the edges of hundreds of laminated layers

    Lamination

    Hundreds of layers of beech plywood are hand-picked and laminated into one solid block. The layers stay hidden until the carving opens them up.

  3. An orange industrial robot carving a tall vase inside a glass-walled robot cell

    Robotic carving

    A 7-axis industrial robot mills the block into shape. The toolpaths follow the robot's own kinematics, so every groove balances the cutting force of the tool against the precise movement of the machine. The carving reveals the grain and the edge of each layer.

  4. Hands fitting the stainless steel inset into the lip of a small vase

    Finishing

    Each vase is sanded by hand. A brushed stainless steel cylinder is set into the lip as a water reservoir and ends underneath as a setback platform on a ring of felt. A wax finish protects the wood and keeps it easy to clean.

  • The robot's spindle beside a vase in progress
  • The milling tool mounted on the robot arm
  • Hand sanding a carved vase
  • Two people watching the robot at work through the glass of the robot cell

Interiors

Awards and exhibitions

Awards

  • Rado Star Prize Canada, Prix du Jury
  • A' Design Award, Gold
  • International Design Awards
  • Interior Product Design Award
  • ExpoWanted

Exhibitions

  • IDS Toronto
  • DesignTO, Toronto
  • Hot New Next, Vancouver

Contact

For questions about AESTUS, press requests or collaborations, write to Oliver David Krieg.